LUBAY DESIGN
Waves.
Curves.
Lines.
Every Lubay bag belongs to one of these three formal directions. Not as a stylistic exercise, but as a design logic: the shape follows a precise intention, readable in the silhouette, in the proportions, in the treatment of each edge.
THREE FORMAL DIRECTIONS
01
Waves
The top line does not stay straight. It curves, reaches a peak, then returns. A continuous movement that defines the silhouette — this is not an ornament, it is the structure itself.
This form makes a Waves bag immediately identifiable in the collection: the curved top line gives the bag its character without any other element being needed.
02
Curves
Corners are treated as gentle curves. The structure stays firm, the volume readable — but no edge is sharp. This approach avoids the rigidity of a block bag without sliding into a round silhouette.
The curve is always placed in the lower part of the bag. Depending on the model, it takes the form of a soft half-circle that rounds the entire base, or replaces sharp corners with discrete curves at the lower edges.
03
Lines
Lines that structure without adding weight. The surface is flat, proportions balanced — which avoids any sense of mass. A subtle tension runs through the bag: it is defined, but not closed.
Lines bags are the most understated in the collection. Their legibility rests entirely on proportion and a discrete tension.
